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Conversations With Corelli (3-3-1990) MP3 Download: Corelli, Hines, Protero, Zucker...

Conversations With Corelli (3-3-1990) MP3 Download: Corelli, Hines, Protero, Zucker...
Price USD 9.95
Seller Bel Canto Society: Opera DVD & VHS Videos, CDs, Music Downloads & More

Conversations with Corelli:
Interview 2, "Opera Fanatic," March 3, 1990

Franco Corelli, Jerome Hines, Dodi Protero, Guests
Stefan Zucker, Host

Downloadable .M4A or .MP3 files. Total size: approx. 325 MB. (This is a large file; please be patient as it downloads.)
or Webcast: $6.95
Downloads are not eligible items in connection with our 6-for-5 offer.

Please see this important information about our audio downloads.
• • Click here to listen to two samples from this title.* • •


Press coverage of Corelli's appearances on "Opera Fanatic."

About the guests on "Opera Fanatic."


Dodi Protero

TOPICS:
- 1. Total Interview Time: 2 hours, 56 minutes
- 2. Callas vs. Olivero
- 3. Callas’s technique
- 4. Her loss of voice
- 5. Hines on Olivero and Callas
- 6. The Rome Walkout
- 7. Maria Caniglia
- 8. Beniamino Gigli
- 9. Has singing changed in your time?
- 10. Bianca Scacciati
- 11. Miscasting
- 12. Picking singers to suit operas vs. picking operas to suit singers
- 13. American, Italian and German styles
- 14. German vs. Italian legato
- 15. The vowel "ah"
- 16. The German influence
- 17. Renato Cellini, the first Fascist at the Met after the war
- 18. Cloe Elmo. Corelli favors booing
- 19. Booing at the Met
- 20. Claques
- 21. Booing
- 22. Gigli’s influence on Del Monaco
- 23. Big voices and 16th notes
- 24. Leyla Gencer
- 25. The Rome Walkout and the lack of covers in Italy
- 26. When in America Italians display temperament
- 27. Corelli’s favorite among his performances
- 28. Stanford Olsen
- 29. Lina Pagliughi
- 30. Gino Bechi, Giangiacomo Guelfi, Leonard Warren,
         Robert Merrill, Cornell MacNeil, Ettore Bastianini and Titta Ruffo
- 31. Why Corelli did not sing Ballo
- 32. Corelli’s favorite conductors
- 33. Singing too loudly
- 34. Grace Bumbry
- 35. The tempos of Karajan and Bernstein
- 36. A conductor Corelli did not like
- 37. Does Corelli approve of the Met’s casting?
- 38. Why the Met’s orchestra is too loud
- 39. The Met’s choice of singers
- 40. What is a Verdian voice?
- 41. Iodine on vocal cords
- 42. The Del Monaco cocktail
- 43. Almond oil, cortisone
- 44. Douglas Stanley
- 45. The day of a performance
- 46. Enzo Sordello’s herbs and the steam in his room
- 47. Directors’ opera
- 48. The biggest voices
- 49. Francesco Merli, Giacomo Lauri Volpi, Birgit Nilsson,
         Richard Tucker, Anita Välkki, Helen Traubel, Caruso, Gino Penno
- 50. Sweet tenors vs. round tenors
- 51. A Corelli return as Otello
- 52. To return or not to return?
- 53. Nel verde maggio from Loreley, by Catalani
- 54. Scooping
- 55. Gigli’s recordings
- 56. Corelli’s favorite tenor
- 57. Ave Maria by Tortorella
- 58. Hines: Toscanini made us sing unnaturally
- 59. Corelli’s favorite soprano
- 60. What Corelli learned from Callas
- 61. What he learned from Tebaldi and Nilsson
- 62. Melocchi’s other students
- 63. Del Monaco’s influence
- 64. Giuseppe Di Stefano
- 65. The difficulty of the laryngeal method
- 66. The inhalation treatment that hurt Corelli’s voice
- 67. Why Corelli stopped his career
- 68. Live vs. studio recordings
- 69. Corelli’s films: Magnifica ossessione andLa carovana nel deserto

* The quality of actual downloads is better than that of the sample selections. See the note on the audio download information page. Choose Preferred File Format Below This Download is available in the following formats: 256K M4A, 256K MP3, Streaming Webcast.
Please choose the format you prefer below.For more information on our format choices, click here.

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