Besides being conceptually and audibly interesting the visuals for the album were dazzling. The album cover was different than that of her previous albums. It was hardly glamorous just a picture of Janet in a black shirt with frizzy red hair her her head hung slightly down, not looking into the camera. Her name isn't even conspicuously emblazoned across the picture. It is subtly spelled out in a blurred block formation embossed in the top half of the picture. You can only notice it if you tilt it and look at the picture in the light. The pictures inside of Janet sporting her nipple and septum piercings, covered in latex and tied up in bondage were indeed works of art themselves. The videos the Grammy winning, "Got Til' It's Gone" with it's African apartheid theme and "Together Again" set in the jungle in which she hugs herself and touches her own [...], "I Get Lonely" with it's almost futuristic feel and amazing transitions cemented Janet's status as not just a musical but a visual artist.
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