The fourth album by Wisconsins own James Sigfried, aka James Chance, further elaborates on patterns first heard on Buy and Off White. Despite the lack of the Contortions as his natural backup band, White performs his usual irreverent and chaotic blend of free jazz and noise, a sound that characterized the NY No Wave of which hes the most prominent exponent. Brutal stops and starts, dissonant sax solos, mocking the virtuosos of the too serious jazz scene made 1983s Flaming Demonics a convincing further step into Chances vision of modern music.
