A Publication Dedicated to Philatelic Alternatives . . .
Published each quarter of the year in the interest of artistamp artists and collectors worldwide.
The information you'll gain is wide ranging. For the stamp makers, whether you're a beginner or seasoned veteran, there's tips on making better stamps, philosophies discussed, and plenty of samples to view. For the collector of stamps, postcards, cover envelopes and other items of postal memorabilia, you'll gain insight to the stories behind what's displayed visually. The tantalizing tidbits that makes collecting more fun. And again, no matter what your skill level may be, there's undoubtedly something useful for you in every issue.
But the fun doesn't stop there. We believe that since our own interests stray outside the boundaries of the title, your interests probably do to. Occasionally you'll find an article that highlights these special interests that parallel art, stamps, and the things that you might not think have to much to do with each other at face value.
Each issue of Artistamp Artifacts includes stamps in new condition that are featured in the current issue. You're free to use the stamps on your own mail art or, with a little bit of creativity you can use each issue as a starting point for creating your own collector's album of philatelic alternatives. Whether those alternatives might be special postmarks and stamps that we use on the cover envelopes that bring Artistamp Artifacts to you or, the collectible stamps themselves. And we should mention, that Poster Stamps, Local Post stamps and a wide variety of other non-postage type stamps are what we highlight within each edition's pages.
Need to be convinced? Use this order form to purchase a single trial issue at regular subscription price. Just make the proper selection in the options menu below. The current edition will be sent to you poste haste.
PLEASE NOTE: SINGLE COPY TRIAL ISSUES MAY OR MAY NOT INCLUDE COMPLIMENTARY STAMPS, DEPENDING ON AVAILABILITY AT THE TIME YOU PLACE YOUR TRIAL ISSUE ORDER.
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