In a POW camp, the Nazis have placed the huts far from the boundary so that any escape tunnel would have to be a long one. One British officer has the idea of starting a daily gynmastics routine using a vaulting horse: they can place it near the boundary and start a tunnel from under it. He and two others do escape the camp by this means and plan to make for neutral Sweden. To do that, they'll not only have to move around without arousing any suspicions, but also find a stranger from a neutral or occupied country who'll be willing and able to help them. viewer's comments: - Yet Another Brilliant British War Movie In the long line of distinguished & inspiring war movies made in England in the 40's & '50s (Went The Day Well, Dam Busters, Cockleshell Heroes, One of Our Aircrafts is Missing, We Dive At Dawn) about British military personnel resisting German aggression in the second War, comes this little gem. This movie tells the story of Stalag Luft III where British airmen Leo Genn & David Tomlinson (both more famous for their roles in Quo Vadis & Mary Poppins respectively) are imprisoned. In a daring attempt the duo with one more accomplice break out of the heavily guarded camp by digging a tunnel from under their exercise title instrument. The second half of the movie concerns their attempts to reach Sweden, a neutral territory from where they can reach England. Leo Genn performs convincingly as the pipe-smoking elder Flight Lt. who goads & coaxes the younger David Tomlinson on, first through the tunnel & then through enemy territory. Both had war time experiences & borrow heavily from that. Peter Finch has one of his first roles as a Australian soldier who helps in the escape plan. Two of the funniest parts of the movie are the 'venture capitalists' in the form of the escape committee headed by senior officers approving of the plan & later financing it, & the retort of one of the injured soldiers in the hospital to a German comment that Beethoven is a good German. So ignore some of the incongruencies and enjoy this suspensor. It is no 'Stalag 17', but still a good entertainer all the way. - One of my all-time favorites While thinking of "The Great Escape" I allowed my mind to wander back to this little gem of a movie from my childhood. I had read and re-read the autobiographical novel from 1949 which inspired it, and when it came to the only cinema (we never used that word then , actually) in town that showed "foreign" films, I was first in line to buy my ticket. As someone brought up on wartime newsreels and propaganda films during WWII, I had an avid interest in exploring the realities of that conflict as reflected in the memoirs and stories of men who were there in person. That extended later to a keen willingness over the years to buy any book on the subject, and eventually to read the equally compelling novels of Hans Helmut Kirst and Erich Maria Remarque, which provided an even deeper sensibility. The movie versions, however, were unlike this one in that they rarely delivered the goods. The medium of black-and-white film has never been served so well as it was in those years. I have never seen any technicolor version of war that seems as authentic as do the deep chiaroscuros of films like "The Wooden Horse." If it is true that we are destined always to be captive to the images of our childhood, then I confess it freely. And there will never be another the likes of Leo Genn as the emblematic British war hero on film. Not even Sir Alec. - Ingenious and well-acted war movie The Wooden Horse is a very clever movie about a very clever and successful escape plan worked out by British POW's during World War II. It is superbly acted with a wry sense of humor, especially the lines expressed by the acid-tongues Leo Genn. Anthony Steele and David Tomlinson (later George Banks in Mary Poppins) are marvelous as the two heroes. The direction is taut and fast-moving throughout. Highly Recommended. - Better Than the Great Escape This unsung quiet gem tells the true story of a POW escape during WW II. The performances are incredible, especially Anthony Steele. The movie works on many different levels: cerebral, emotional, visual, and literal. The dialogue is ingenious and rings very true. In fact, an unusual all-around authenticity puts this one head-and-shoulders above most war epics. cast: Leo Genn .... Peter David Tomlinson .... Phil Anthony Steel .... John David Greene .... Bennett Peter Burton .... Nigel Patrick Waddington .... Senior British Officer. Runtime: 101 min Country: UK Language: English Black and White
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